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The opening of this shiur, in ArtScroll’s own words — taken from the captions, so names and Hebrew terms may be approximate.
[Music] Now your your contribution to the world of Tyra literature continued after the sedar. What was the next major project? Mhm. Next project was the maker rashi kipper which uh is also very very important because you know the uh the important because you know the uh the the puteim rashi kipper are unintelligible. I mean I I went through mafur and had to look up the psukin that they're based on. They're they're very very poetic. They're very beautiful and very hard to understand. So that was um that was a new challenge. Was it very time consuming doing that type of research? Did you have to consult with putumm experts to consult with putumm experts to understand the breath and depth of it or there are a few swarim? Not many. There are a few swarm that deal with the with the maser with the putm. And were you able to borrow some of the basic material from the sid and incorporated that into the matser? Yeah, much of the masser is the regular sitter. Mhm. Carbonisimra. So a lot of it comes from the sitter. The hard part is the uh things that are exclusively in the mirer. And again the maxer has mirer. And again the maxer has that what I would call the iconic introduction that has become synonymous with with each of these volumes and you put a tremendous amount of work into that as well. Overview. The overview. Let's stick to the to the right term. Um after the mach we're moving into the late 80s um was the stone kish the next major project. Yeah. How did that idea come about to do that form of a kish? Well it
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